〈POST-CINEMA: THEORIZING 21ST-CENTURY FILM〉(Shane Denson, Julia Leyda) 번역하며 읽기 [PDF]
Table of Contents
- I. Perspectives on Post-Cinema: An Introduction – Shane Denson and Julia Leyda
- 1. Parameters for Post-Cinema
- 1.1 What is Digital Cinema? – Lev Manovich
- 1.2 Post-Continuity: An Introduction – Steven Shaviro
- 1.3 DVDs, Video Games, and the Cinema of Interactions – Richard Grusin
- 2. Experiences of Post-Cinema
- 2.1 The Scene of the Screen: Envisioning Photographic, Cinematic, and Electronic “Presence” – Vivian Sobchack
- 2.2 Post-Cinematic Affect – Steven Shaviro
- 2.3 Flash-Forward: The Future is Now – Patricia Pisters
- 2.4 Towards a Non-Time Image: Notes on Deleuze in the Digital Era – Sergi Sánchez
- 2.5 Crazy Cameras, Discorrelated Images, and the Post-Perceptual
- Mediation of Post-Cinematic Affect – Shane Denson
- 2.6 The Error-Image: On the Technics of Memory – David Rambo
- 3. Techniques and Technologies of Post-Cinema
- 3.1 Cinema Designed: Visual Effects Software and the Emergence of the Engineered Spectacle – Leon Gurevitch
- 3.2 Bullet Time and the Mediation of Post-Cinematic Temporality – Andreas Sudmann
- 3.3 The Chora Line: RealD Incorporated – Caetlin Benson-Allott
- 3.4 Splitting the Atom: Post-Cinematic Articulations of Sound and Vision – Steven Shaviro
- 4. Politics of Post-Cinema
- 4.1 Demon Debt: Paranormal Activity as Recessionary Post-Cinematic Allegory – Julia Leyda
- 4.2 On the Political Economy of the Contemporary (Superhero) Blockbuster Series – Felix Brinker
- 4.3 Reality Effects: The Ideology of the Long Take in the Cinema of Alfonso Cuarón – Bruce Isaacs
- 4.4 Metamorphosis and Modulation: Darren Aronofsky’s Black Swan – Steen Christiansen
- 4.5 Biopolitical Violence and Affective Force: Michael Haneke’s Code Unknown – Elena del Río
- 5. Archaeologies of Post-Cinema
- 5.1 The Relocation of Cinema – Francesco Casetti
- 5.2 Early/Post-Cinema: The Short Form, 1900/2000 – Ruth Mayer
- 5.3 Post-Cinematic Atavism – Richard Grusin
- 5.4 Ride into the Danger Zone: Top Gun (1986) and the Emergence of the Post-Cinematic – Michael Loren Siegel
- 5.5 Life in Those Shadows! Kara Walker’s Post-Cinematic Silhouettes – Alessandra Raengo
- 6. Ecologies of Post-Cinema
- 6.1 The Art of Morphogenesis: Cinema in and beyond the Capitalocene – Adrian Ivakhiv
- 6.2 Anthropocenema: Cinema in the Age of Mass Extinctions – Selmin Kara
- 6.3 Algorithmic Sensibility: Reflections on the Post-Perceptual Image – Mark B. N. Hansen
- 6.4 The Post-Cinematic Venue: Towards an Infrastructuralist Poetics – Billy Stevenson
- 7. Dialogues on Post-Cinema
- 7.1 The Post-Cinematic in Paranormal Activity and Paranormal Activity 2 – Therese Grisham, Julia Leyda, Nicholas Rombes, and Steven Shaviro
- 7.2 Post-Cinematic Affect: A Conversation in Five Parts – Paul Bowman, Kristopher L. Cannon, Elena del Río, Shane Denson, Adrian Ivakhiv, Patricia MacCormack, Michael O’Rourke, Karin Sellberg, and Steven Shaviro
- 7.3 Post-Continuity, the Irrational Camera, Thoughts on 3D – Shane Denson, Therese Grisham, and Julia Leyda
- 7.4 Post-Cinema, Digitality, Politics – Julia Leyda, Rosalind Galt, and Kylie Jarrett